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Updated: Dec 1, 2022


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Last week's History Note shared the detective work that went into identifying the author and origins of a Seaman's Journal found in our archives at the Longmeadow Historical Society. This edition follows up on what our intrepid History Detective, Beth Hoff, has learned about that sailor, including the unfortunate circumstance of his death at sea.

Have you ever wanted to have adventures by sailing the seas on a tall ship? James S. Dwight of Springfield, Massachusetts did. His father, George, a prominent merchant in Springfield who likely had connections to the shipping community in Boston, agreed and he apprenticed the 16-year old James to the barque Kate Hastings.


James kept a journal of his first thirteen months aboard the Kate Hastings. The journal, which is in the archives of the Storrs House Museum, documents three periods of time that the vessel was at sea:

- May 21, 1852 through October 17, 1852 traveling from Boston to San Francisco

- November 2, 1852 through January 18, 1852 traveling from San Francisco to Calcutta

- March 3, 1853 through June 10, 1853 traveling from Calcutta to Boston


In addition to the record of wind, weather, and speed which are standard in a seagoing journal, James wrote remarks in his journal. Many of the comments are addressed to his mother who he expected to read it when he returned. Reading through the journal provides a glimpse of life aboard a commercial sailing vessel through the eyes of a novice sailor.


As an apprentice, James learned to watch the weather, steer the ship, fly the sails, and keep a journal. On June 6, 1852, he wrote, “This is my third Sunday on the ocean. And as it is the commencement of a week I intend to commence making records of my own instead of copying them from the log. On Sunday we do no work except what is necessary for working ship. So far, I have not been sea sick and I am commence to think that I am to be one of the lucky ones. I have learned nearly all the names of the ropes and hope to be able to say, that I have learned all by next Sunday. I can take the weather wheel now, and when I have had a little more practice shall be able to take my regular turn.


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June 6, 1852, Seaman’s Journal


Most days at sea were mundane: “Today we have had the usual quantity of squaring and washing down decks and the other duties which make up the routine of duty aboard ship. I am afraid if you would see me all dirta I am that you would hardly know me.”


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June 9, 1852, Seaman’s Journal


But others were filled with weather-related challenges: “Today we are having a decidedly wet day of it. It is nothing but one steady drenching rain all the while. Oil clothes are not of much use, especially such oil clothes as mine. All hands have taken off their shoes and are wading round the decks bare footed.”


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June 11, 1852, Seaman’s Journal


The ship often encountered squalls which challenged him: “You have no idea what uncomfortable things these squall are. The first you see of them is a black cloud rising to windward, next it commences blowing so that the lighter sails are clewed up, then in commences raining, and how it rains, suffice it to say that in two minutes you are completely soaked through, and are obliged to remain so for the rest of your watch on deck.”


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June 30, 1852, Seaman's Journal


James analyzed his shortcomings and sought to overcome them: “I find that my two greatest drawbacks against making a good sailor is carelessness and forgetfulness, and you have no idea what a quantity of trouble they cause me. But I am determined to conquer them both and I think I have already made some progress towards it.”


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June 23, 1852, Seaman’s Journal


And he foresaw his future as a sailor: “I think if you could see all the dirty jobs I have every day you would be apt to wonder at my liking the sea. I being the smallest boy am nothing more than the ships scavenger. I think that my love for the sea is now steadily on the increase, and as I have overcome that heaviness of body that I complained of sometime ago I think that I stand something of a chance of making a sailor.


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June 22, 1852, Seaman’s Journal

He noted Sunday observances onboard the ship: “The day opened as all Sundays ought to, with a clear sky and a fair breeze. After the decks were washed down, the men changed their clothes and came out in their Sunday rig. After breakfast was over the men commenced smoking reading loafing minding etc. You would be surprised to see some of the sailors who are very profane come out of a Sunday morning and read their bibles with as much seriousness as a minister.


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June 20, 1852, Seaman’s Journal


Although he doubtlessly met with exciting and novel experiences and people during his time in San Francisco and Calcutta, he does not mention them in the journal. San Francisco would have been a rough and bustling town only three years after the discovery of gold in 1849 and Calcutta would have been full of new sights, smells, and sounds to a lad from Springfield. James also does not mention passengers on the ship, though we know that the Kate Hastings carried passengers.


The only entry which discusses non-shipmates occurred on Christmas day when the ship stopped in Singapore for repairs: “MHPM came to an anchor in the harbor of Singapore about two miles from the shore, furled the sails, coiled up the ropes, and turned in. Early the next morning the natives were along side in their canoes with all sorts of shells, coral, fruit, bread etc. for sale. In a little while the vessel was full of natives, and such a quantity of bargaining talking cheating and etc. I never saw. I bought nothing except fruit.


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December 25, 1852, Seaman’s Journal


On the last page of the journal, dated June 10, 1853, James expressed his hope that, while he was not yet at port, he would be home to celebrate Independence Day. The Kate Hastings arrived in Boston on June 28, 1853, so perhaps he got his wish.


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Boston Daily Bee, June 29, 1853


What happened to James after his apprenticeship on the Kate Hastings? We know that he continued his career as a sailor, improving his skills and rising in his profession to captain. He never married and kept his home base in Springfield, appearing on the censuses as a resident of the city until his death.


A history by Charles W. Chapin provided the following biography of James: “In 1853 at the age of seventeen he went to sea, sailing from Boston in the barque ‘Kate Hastings’...Before he was twenty-five years of age he was master of a vessel. He took command of the ship ‘Cutwater,’ after the captain had been swept overboard during a heavy sea. He was master of the ships ‘Charger’ and ‘Springfield,’ the latter having been named in honor of his native town...His voyages were made principally to China, Australia, California, and European ports. Among the sons of Springfield who have gone forth to win fame and fortune, none had brighter prospects, or was more highly esteemed, than Captain Dwight. Accomplished and of noble bearing, he was the beau ideal of an American sailor.”


Sailing was a dangerous business and James S. Dwight had several close calls with death during his career, including one while he was aboard the Cutwater.


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Springfield Republican, December 19, 1861


Unfortunately, his luck did not hold. When he was only 46, Capt. James S. Dwight came to a violent end when he was murdered by a crew member of his ship, the Freeman Clark, in 1882. According to the report of his death, the provocation for his murder was believed to have been his order forbidding some of the crew to smoke opium. The day before the murder, he had their room searched and the opium found in it thrown overboard. The crew retaliated by mutiny and by the murder of their captain.

We are thankful to have his journal in our archives as a chronicle of the earliest days of his remarkable career at sea. - Contributed by Beth Hoff, Board Member, Longmeadow Historical Society

Originally published August 11, 2022 Sources: Archives of the Longmeadow Historical Society Charles W. Chapin, History of the “old high school” on School Street, Springfield, Massachusetts, from 128 to 1840, Springfield, 1890 Boston Daily Bee, June 29, 1853 Springfield Republican, December 19, 1861 Boston Journal, June 19, 1882


 
 
 

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This painting of the Connecticut River looking north across present-day Forest Park has been a treasured item of the Longmeadow Historical Society for many years. Enjoying pride of place over the mantel in the parlor, the front hall and other locations, it was painted by Joseph Antonio Hekking, circa 1876.


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Hekking portrait as seen in the Storrs House c. 1910

Joseph Hekking was born in the Netherlands in 1830, studied in Paris, and died in New York in 1903. He lived in Cherry Valley, NY in 1859, and taught painting at the Cherry Valley Female Academy. Hekking served in the Civil War with a New York regiment. He lived in Hartford, CT from 1873-1878, where he met Professor Richard Salter Storrs of Longmeadow. Professor Storrs was a teacher, along with his sister Sarah, at the formerly named American Asylum for the Deaf and Dumb, now The American School for the Deaf. The vista that Hekking painted--a view of the Connecticut River Valley looking north toward Mt. Tom--was still largely private land. In 1884, Orick H. Greenleaf offered 65 acres for a park to be named Forest Park. Businessman Everett H. Barney donated another 178 acres. They convinced others to donate more land, until the park ultimately measured 735 acres. Much of this land was located in the nearby town of Longmeadow, just to the south. I can picture Hekking setting up his easel on the hill near the Picknelly Baseball field just at the entrance to Forest Park and Interstate 91. You can see what looks like bucolic farmland stretching out toward the city of Springfield, and you can just make out a train emerging from the trees. A covered bridge is visible in the distance, and to the far right, Mt. Tom.


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A book created in 1930 detailing the original items in the Storrs House Museum collections describes the painting like this:"Large painting in gilt frame, stationary, over the fireplace in the south front room of the Storrs House. The artist painted this picture from the elevation above the Connecticut River now known as Long Hill Street and the particular spot was known as the Storrs Lot. Now occupied by the buildings of the Paulist Fathers. The painting shows a section of the river with the railroad bridge in the distance, also the irregular land between the River and Hill. Mt. Tom is seen in the distance. This was a favorite place for people to drive for the view, particularly at sunset."


-Contributed by Betsy McKee, Longmeadow Historical Society Board Member

Originally published July 28, 2022

 
 
 

Updated: Dec 2, 2022


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11 Franklin Terrace, Longmeadow, MA


Until the turn of the 20th Century, Longmeadow was primarily an agricultural community. That started to change when trolley service began down Longmeadow Street in 1896; people who worked in Springfield could then live in the pastoral Longmeadow but easily commute to work in the city by trolley car. Real estate developers started purchasing farm property and developing it into the many subdivisions that fill today’s Longmeadow. One of the earliest developments, Greenwood Manor, was on the former dairy farm of Franklin B. Allen. By 1911, Bay State Realty Trust had acquired the property and laid out the Greenwood Manor subdivision into over 400 lots.


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From 1910 Map of Longmeadow


W. Clinton Read, a single man from Springfield, purchased four of these lots on April 12, 1912. But how was he to quickly develop these lots so that he could resell them? To build houses on them, Mr. Read, like many other people, turned to one of the most a trusted names in American business – Sears, Roebuck and Co.


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Hampden County Registry of Deeds. Book 843, Page 249


Sears, Roebuck and Co. began as a catalog company, selling everything from watches to sewing machines, toys, groceries, farm equipment, clothing, kitchen stoves, furniture, building supplies, and eye glasses. The general merchandise catalogs were supplemented by specialty catalogs for items such as horseless carriages, motorcycles, and buildings. Sears promised quality products at reduced prices and many loyal customers consulted the convenient Sears catalog first when making a purchasing decision.

In 1908, Sears, Roebuck and Co. published its first catalog of Modern Homes kit houses. In addition to kits for houses, you could buy kits for barns, garages, outhouses, hen houses, cottages, and even a two-story, six-classroom schoolhouse (that did not include a bathroom). Sears was not the first or the only company to sell kit houses (other vendors included Aladdin and Montgomery Ward), but, because of its large existing customer base, Sears quickly became the industry leader. The 1912 catalog can be seen its entirety. Page 89 of this catalog encouraged real estate developers to buy multiple homes – “Greater Economy = Bigger Profits” – to create an economy of scale.


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Modern Homes, Sears, Roebuck and Co., Chicago (1912 catalog). Page 89


Not only did Mr. Read follow this advice, but he purchased three of the Sears models shown on page 89 for his Greenwood Manor lots.

  • On Lot 178, he built a Model Home #196. This home is still standing at 11 Franklin Terrace.

  • On Lot 176, he built a Model Home #194. This home is still standing at 31 Maple Terrace.

  • And, on Lot 248, he built a Model Home #192. This house is still standing at 19 Berwick Road.


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Modern Homes, Sears, Roebuck and Co., Chicago (1912 catalog). Page 90


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31 Maple Terrace, Longmeadow, MA. Image from Longmeadow Assessor's Database.


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Modern Homes, Sears, Roebuck and Co., Chicago (1911 catalog). Page 45


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19 Berwick Road, Longmeadow, MA. Image from Longmeadow Assessor's Database.

A Sears Modern Homes kit arrived with an instruction booklet and the materials needed to build the house. Later Sears Modern Home kits included precut and numbered lumber pieces to further facilitate the construction of the house; however, this was not the case for these early houses. The 1912 kits did not include materials needed to build the house’s foundation, nor did they include labor, cement, brick, or plaster (but Sears gave you an estimate for the cost of these items). Household utilities, such as plumbing, hot water, and steam heat, could be purchased separately from Sears. Richard W. Sears understood that additional homes across America would increase sales in other Sears product lines because he knew that a family moving to a new home would need to furnish it, and that many families would turn to the Sears catalog to do so. To make it easier to purchase a home, in 1911 Sears started offering an "Easy Payment Plan" for the homes that it sold. The application form, which is not included in the online version of the 1912 catalog, asked 9 questions, only several of which involved the purchaser’s financial capacity. Financing terms were lenient.


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Image from The Houses That Sears Built by Rosemary Thornton


An estimated 50% of new homeowners, including W. Clifton Read, financed their Modern Homes through Sears. On April 20, 1912, W. Clinton Read mortgaged Lot 176 (31 Maple Terrace) for $1,650, agreeing to monthly installment payments of $15. Walker O. Lewis, a trustee of Sears, Roebuck and Co., is listed as the mortgagor. Similar mortgages were recorded for Lots 178 and 248.


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Hampden County Registry of Deeds, Book 839, Page 83

115 Belleclaire Avenue is also a Sears kit home. This house was highlighted in this 2015 article in The Republican. Sears, Roebuck and Co. stopped financing its Modern Home sales in 1933, and it unfortunately had to foreclose on many homes during the Great Depression when unemployed homeowners were unable to make their mortgage payments. It briefly closed its real estate offices around that time, then resumed home sales until 1940 when the Modern Homes Department closed its doors for good. Sears Modern Home Department records were then thrown out. So, what is it like to live in a Sears Modern Home? Mary Julia Tunstall, who lives at 11 Franklin Terrace, absolutely loves her house. "It was very well thought out," she says. In the summer, indoor temperature, cooled only with an upstairs window unit, is uniform throughout the house; winter heating is also uniform. Workmen who visit her home routinely admire the high quality of building materials. The solid doors, dense pine flooring, rope and pulley leaded glass windows, beautiful hardware, interesting visual angles and nooks and crannies, and very functional floorplan help to create a charming home that suits her perfectly. And she has recently learned that her home is quite rare - to the best of our knowledge, it is the only Model 196 Modern Home that has been authenticated.


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Stratford Design hardware. Image courtesy of kithousebuilders.blogspot.com.


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Inside door lock set, 11 Franklin Terrace.


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Ornamental half mortise butts. Image courtesy of kithousebuilders.blogspot.com.


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Ornamental half mortise butts, 11 Franklin Terrace. There may be other Sears Modern Homes in Longmeadow that have not yet been authenticated. If you think that you know of another kit home, please contact us at info@longmeadowhistoricalsociety.org and we can help you check it out. Many, many thanks to Andrew Mutch of http://kithousehunters.blogspot.com/ for his expertise and his generous assistance to my research endeavors. -Contributed by Beth Hoff, Longmeadow Historical Society Board Member

Originally published July 21, 2022 Sources:


 
 
 

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© 2025 by Longmeadow Historical Society. 

Address: 697 Longmeadow Street 

Longmeadow, MA 01106

Email: info@longmeadowhistoricalsociety.org 

Phone: (413) 567-3600 

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